Woody Harrelson and Simu Liu star in a deep-sea survival thriller that could used a little embellishing.

Wicked? Dune? Anora? Here's what we're predicting will win at the Academy Awards this year — and what we hope does.

The Academy is more diverse than ever in the wake of #OscarsSoWhite. So are the movies it celebrates.

Keanu Reeves followed the Matrix trilogy with a DC comics adaptation that's a little better than critics said it was in 2005.

Harrison Ford Hulks out in a new Captain America movie that's as sloppy as anything Marvel has ever made.

Anthony Mackie is a worthy successor, but the MCU has still suffered from the absence of The First Avenger.

Challengers got great reviews, made good money, and delivered Hollywood a rare adult-oriented hit. So why did the Academy completely ignore it?

Mel Gibson casts Mark Wahlberg against type as a psycho in the cheap and lousy action thriller, Flight Risk, now in theaters.

From Wicked and Dune to The Brutalist and A Complete Unknown, we rank all 10 films vying for the top Oscar this year

At 20 years, the remake of Assault on Precinct 13 looks more dated than the crackerjack 1970s thriller it upgraded.

Leigh Whannell follows his thrilling Invisible Man with a curiously dull, murky, and undercooked Wolf Man, in theaters now.

The director of The Witch and The Northman returns with a remake of the horror classic Nosferatu that's best at its kinkiest.

Aaron Taylor-Johnson is a muscular bore in the latest and maybe last entry in Sony's misbegotten franchise of Spider-Man movies without Spider-Man.

Without original star Russell Crowe, Gladiator II, Ridley Scott's belated sequel to his Oscar-winning 2000 epic, falls short in just about every way.

Here, Robert Zemeckis' latest movie with Tom Hanks, finds the director still stranded in the digital abyss that ruined The Polar Express, Beowulf, and others.

Whether it's his last movie or not, Juror #2 is a perverse spin on 12 Angry Men that ranks among the strongest of director Clint Eastwood's late-career efforts.

Jason Reitman assembles a giant, game ensemble for Saturday Night, a SNL origin story that's a little too reverent and tidy.

Tobe Hooper's 1974 classic The Texas Chain Saw Massacre has lost none of its nightmarish power over 50 years. Here's why it's still so unsettling.

In Joker: Folie à Deux, Joaquin Phoenix reprises the role of a misfit wallflower killer in a genre-bending sequel too cautious to really go for it.

David Fincher's adaptation of the bestselling thriller Gone Girl, which turns 10 today, might be his most Hitchcockian achievement.

From the director of The Godfather comes Megalopolis, a sci-fi epic 40 years in the making that trips on its own ambitions.

With Beetlejuice Beetlejuice now in theaters, let's revisit one of director Tim Burton's best movies, which turns 30 this week.