Ryan Gosling takes on Chris Evans in The Gray Man, a depressingly algorithmic Netflix action movie from the Russo brothers.

The brilliant French filmmaker Claire Denis returns with the disorienting love triangle Both Sides of the Blade, starring Juliette Binoche and Vincent Lindon.

Taika Waititi returns to the Marvel Cinematic Universe for the jokey Thor: Love and Thunder, which is worth seeing primarily for Christian Bale's menacing Gorr.

The Greek comedy-drama Apples is an accidental COVID movie with shades of Yorgos Lanthimos that is ultimately unsatisfying.

Moulin Rouge director Baz Luhrmann throws his whole mad heart into the alternately ridiculous and sublime biopic Elvis.

Olivier Assayas revisits one of his earliest triumphs with this HBO miniseries version of Irma Vep starring Tomb Raider star Alicia Vikander.

Scream queen Maika Monroe heads to Bucharest for the excellent Hitchcockian suspense thriller Watcher.

The Fly and Videodrome director David Cronenberg returns to his body-horror wheelhouse with the shockingly funny Crimes of the Future.

Fox's beloved animated sitcom comes to the big screen with The Bob's Burgers Movie, which is basically just an overlong episode of the show.

Tom Cruise reprises the role of the Navy's cockiest flyboy in the twinkly romantic legacy sequel Top Gun: Maverick.

Eskil Vogt's Norwegian thriller The Innocents shares a title with one of the great haunted house movies, but it's a forgettable game of psychic tyke warfare.

Jerrod Carmichael makes his directorial debut with the nervy suicide comedy On the Count of Three.

Nicolas Cage stars as himself in the mostly witless meta trifle The Unbearable Weight of Massive Talent.

We're All Going to the World's Fair uses the language of creepypasta horror to meditate on the way the internet has reshaped a generation's identity.

In Paris, 13th District, The Sisters Brothers director Jacques Audiard heads back to France to make a portrait of amorous Parisians.

The Witch and The Lighthouse director Robert Eggers returns with a wild, gory Viking epic, The Northman.

Ramon Zürcher's hypnotic drama The Girl and the Spider playfully bends the rules of moviemaking to create a memorably unsettling experience.