In this Fujifilm X-E3 review, we take a look at the sidekick to the impressive X-Pro2. Despite being half the price, it actually stacks up well.

In our Fujifilm GFX 50S review, we take a look at the most approachable digital medium format camera on the market.

Unlike standard lenses, the Lensbaby Sweet 80 is a different way to separate your subject from the background.

The Olympus M.Zuiko 17mm F1.2 Pro is the best wide-angle Micro Four Thirds lens you can buy.

The Olympus 25mm F1.2 Pro is a technically excellent lens that goes beyond objective image quality to become something special.

At $1,200, the Olympus M.Zuiko 45mm F1.2 Pro might be expensive, but the premium price is matched by excellent performance. This lens sets a new standard for Micro Four Thirds.

At just $449, the Sigma 16mm F1.4 Contemporary is a fast, wide-angle lens for mirrorless cameras that won’t break the bank.

Using a secondary aperture iris, the Burnside 35 lets you dial in a variable amount of vignetting independently of the main aperture. It’s like Instagram’s vignette slider for people who prefer to get it right in-camera.

After a decade of standing uncontested, Nikon’s venerable 14-24mm f/2.8 finally has some very strong competition in the form of the Sigma 14-24mm F2.8 Art lens. It’s a lens for a small niche, but it could be the new ultra-wide zoom to beat.

With no shortage of competition, it’s difficult for a 24-70mm f/2.8 lens to stand out these days. But thanks to a low price and optical image stabilization, the Sigma 24-70mm F2.8 Art offers exceptional value to enthusiasts and professionals while filling the role of a durable workhorse lens.

The original K-1 felt like a purpose-built camera for landscape photographers, but the Mark II offers little in the way of tangible improvements. It’s still good a camera in the right conditions, but it doesn’t warrant an upgrade -- especially in the presence of fiercer competition.

With a healthy dose of style, solid performance, and beginner-friendly controls, the E-PL9 is the perfect camera for the smartphone generation. (Well, other than an actual smartphone.) However, its simplistic

The X-T100 is Fujifilm’s least expensive camera with a built-in electronic viewfinder and carries on the standard of design excellence that the X Series is known for. Unfortunately, its slow performance may turn potential customers away, particularly casual users who want a simple, easy to use camera.

The Sigma 105mm F1.4 DG HSM Art is the best portrait lens we have used. While its size and weight takes getting used to, you get superb images in return for the effort.

Combining both a fast f/1.4 aperture and optical image stabilization, the Canon EF 85mm f/1.4L IS USM rejects the choice between speed and stability, finally delivering a prime lens that gives photographers the best of both worlds. The $1,600 prime is worthy of joining any enthusiast or pro’s kit.

With impressive image quality, responsive performance, and an affordable price, the A7III redefines what it means to be an entry-level full-frame camera. It's a huge step forward from the Mark II before it, and gives more expensive models a run for their money.

With the X1D, Hasselblad took a bold step in a new direction and has remained committed to it with periodic firmware updates and many new lenses. But the mid-priced medium-format camera remains best suited to ultra-high-end photography.

The Lumix S1R is one of the most capable cameras ever made, from its robust build to extensive feature set. But its key feature, the 187MP high resolution mode, is something few customers will have use for. Here's how it stacks up to the competition, as well as the more affordable Lumix S1.

The EOS RP is the cheapest new full-frame camera ever made, and that's certainly something. But to bring us the RP, Canon had to take away features and performance we've come to expect from full-frame cameras. Do customers in the market for a cheap, compact camera even need full frame?

The Ricoh GR III puts a large, APS-C sensor inside a camera body that's barely bigger than a point-and-shoot. Combined with a stunning 28mm f/2.8 lens, it offers a shooting experience as easy as your phone, but with much better results. For street and travel photography, it's hard to beat.

The Insta360 One X is the most capable consumer 360 camera you can buy. It's not quite the savior immersive imaging needs, but it's still the closest thing we've got to a 360 camera that does everything right, thanks to creative editing controls and fun accessories. If you want a 360 camera, it's worth a look.

40mm is an awkward focal length, but the Sigma 40mm F1.4 Art is so good that you'll want to use it in place of your 35 or 50mm. Extremely sharp across the frame, it's one of the best prime lenses we've ever tested, and offers beautiful subjective qualities.

After 4 years and 4 million photos, photographer Joe DiGiovanna is just getting started on what he plans will be a 30-year time-lapse of the New York City. The project was inspired by his father's love of watching the sun set behind the skyline, and he hopes to grow it to include additional perspectives.

Combining two standard filters into one, the Sandmarc Hybrid Filter gives phone photographers a simpler option when they need both neutral density and circular polarizers at the same time. The multicoated, metal frame filters come in a three-piece set with ND strengths of four, five, and six stops.

Moment's new line of polarizing and neutral density filters can be attached directly to the company's photo case via the new Filter Mount, without the need for an add-on lens, for those times when your phone's built-in lens is enough. The filters use cinema-grade glass and water-resistant coatings.

With a 61-megapixel, backside-illuminated sensor, the Sony A7R IV is officially the highest-resolution full-frame camera you can buy. It also boasts a stronger body, better viewfinder, and new autofocus system complete with Real Time Eye AF that now works in video mode.

Built around the Leica L mount and using a 24-megapixel sensor, the Sigma Fp is Sigma's first full-frame mirrorless camera and the smallest such camera in existence. Built with both still and video shooters in mind, it offers fast 18 fps burst shooting and 12-bit RAW video output.

Sony's new FE 35mm F1.8 combines a wide angle of view and fast aperture with a surprisingly compact design, weighing just 9.9 ounces and measuring 2.9 inches long. The full-frame lens could be perfect for street and travel photography and is also weather-sealed. It ships in August for a price of $750.

The powerful Canon EOS R packs a lot of features into a compact mirrorless body, but the lower-cost EOS RP may be the better choice for some photographers. Here's how these two full-frame mirrorless models compare, from sensor performance to design and build quality.

Olympus is expanding deeper into the territory of sports and wildlife photography with a new 2x teleconverter that offers an impressive 1,200mm full-frame equivalent range when used on the company's current longest lens. New firmware updates for the E-M1X an E-M1 Mark II were also announced.

With recently added support for Final Cut Pro X, the Loupedeck Plus improves speed and accuracy for video editors using the Apple software. With a collection of buttons and dials that can be custom programmed, the Loupedeck can almost completely replace the standard mouse and keyboard setup.

More expensive than a new Apple Mac Pro and Pro Display, Sony's $13,000, 600mm f/4 is a dream telephoto lens for professional sports and wildlife photographers. For the rest of us, Sony also announced a $2,000, 200-600mm f/5.6-6.3. Both are the longest lenses Sony has yet made for its mirrorless cameras.

The new iOS 13 will bring sweeping changes to how photographs and videos are organized in the native Photos app, with a focus on cutting through the clutter. The editing interface has also been completely redesigned, and editing controls will now work for videos as well.

The Leica DG Vario-Summilux 10-25mm f/1.7 camera lens is designed with both still photographers and video shooters in mind, and is the first standard-zoom lens to feature a constant f/1.7 aperture. The price hasn't been announced yet, but don't expect this fast zoom to come cheap.