Like to laugh? When it comes to movie night, comedies are always a great option. Sure, sometimes you want something intense or thought-provoking, but isn’t it nice just to have a laugh?
With Prime Video, you’ll always be able to find a comedy worth your time, but you’ll also find a ton of options that really aren’t all that funny. So, to help you narrow down your choices, we’ve curated this list of the best comedies on Amazon Prime right now.
Looking for laughs using a different streaming service? We’ve also curated guides to the best comedies on Netflix and the best comedies on Hulu.
No one could ever argue that Jackass Forever’s title doesn’t tell you exactly who it was made for. It’s not really a movie — it’s more like a reality show car crash that you can’t turn away from. Most of the cast members from Jackass make their return for some truly dangerous and often disgusting stunts. If this is your thing, have at it. But it’s definitely not going to be for everyone.
This lighthearted romantic comedy casts Charlie Day and Jenny Slate as heartbroken strangers whose chance encounter after being dumped leads them to formulate a crazy plan: They’ll each attempt to infiltrate the life of the other’s ex-partner and break up their new relationship.
Silly, edgy, and fueled by the stars’ wonderfully funny chemistry, the film also features some great supporting roles for Gina Rodriguez, Scott Eastwood, and Pete Davidson.
Dave Franco and Alison Brie team up for this romantic comedy that casts Brie as a workaholic television producer who decides to return to her hometown after suffering a professional setback.
The film is directed by Franco and co-written by him and Brie, and has her character reconnecting with her currently engaged first love (Jay Ellis). Their reunion sets off a series of events that has everyone getting in touch with who they are and who they really want to be in life and love.
The perfect blend of mystery and comedy, Jonathan Lynn’s big-screen adaptation of the popular Parker Brothers board game brought an all-star cast together for a classic whodunit story. Seven strangers are invited to a creepy mansion, and when one of them dies, the hijinks begin as the colorful cast of characters attempts to figure out the identity of the murderer in their midst.
Eileen Brennan, Tim Curry, Christopher Lloyd, Madeline Kahn, Martin Mull, Michael McKean, and Lesley Ann Warren lead the cast of the film, which famously features a set of alternate endings that explore the night’s events from different characters’ perspectives.
If you like sassy, era-crossing period content such as Netflix’s Enola Holmes and Apple TV Plus’ Dickinson, then this adventure comedy from Girls‘ Lena Dunham might be perfect for you. Based on the 1994 novel of the same name by Karen Cushman, this passion project for Dunham stars Game of Thrones‘ Bella Ramsay (who also plays Ellie in the hit HBO series The Last of Us series), who became a fan favorite for her depiction of feisty Lyanna Mormont, as the titular Lady Catherine, aka “Birdy,” a teenager in Medieval England.
When her father, Lord Rollo (Andrew Scott), tries to marry her off to a long list of suitors to prevent the family’s financial ruin, Birdy uses her wit and cunning to stave them off in a battle for her independence.
If you’re in need of a fun, fabulous feel-good movie this weekend, this West End stage play-turned-feature film will likely have you not just off the couch, but setting up a runway in your living room. Originally based on Jenny Popplewell’s popular TV movie, Jamie: Drag Queen at 16, this Amazon Original Movie is an adaptation of the stage musical from the same team – director James Butterell, composer Dan Gillespie, and lyricist Tom McRae. Sixteen-year-old Sheffield high schooler Jamie New (Max Harwood) has big dreams of becoming a drag queen.
And while his chosen path is unconventional and even frowned upon by his classmates, his own father (Ralph Ineson), and the locals, Jamie gets nothing but support from his loving mum (Sarah Lancashire), best friend, Pritti (Lauren Patel), and old drag legend Miss Loco Chanelle (Richard E. Grant), who agrees to teach Jamie all he knows about drag. Full of big, bold, and colorful musical numbers (there’s a lot of dancing on desks going on), if Everybody’s Talking About Jamie doesn’t help you shake off the winter funk, you may want to check your pulse.
Nick Perry is a freelance writer who bounced from Hollywood to Silicon Beach to pajama pants. His work has been featured on Digital Trends, Good Morning America, Entrepreneur, Mashable, and more media outlets.
Blair Marnell has been an entertainment journalist for over 15 years. His bylines have appeared in Wizard Magazine, Geek Monthly, SYFY Wire, Superhero Hype, Collider, DC Universe, and the official sites for Star Trek and Marvel. He also lends his pop culture expertise to Digital Trends on a variety of TV, movie, and streaming features.
Jason Struss joined Digital Trends in 2022 and has never lived to regret it. He is the current Section Editor of the Entertainment vertical and heads a team of over a dozen writers, editors, coordinators, and assorted hangers-on. When he’s not busy editing and writing, you can find him tending to his meticulously planned content schedule or dreaming up new ways to get more eyeballs to the site.
Jason’s love for cinema started when he was 10 years old. Saddled with a nasty cold, he was forced to stay home from school for a full week. To pass the time, he watched a marathon of classic Alfred Hitchcock films on Cinemax and the rest is history. He furthered his film education by raiding used bookstores to read dusty old film criticism volumes and salacious movie star biographies. His real education included studying at Whitman College and then Syracuse University, where he won a student Emmy for producing a truly terrible television series.
His career began at Marvel Entertainment, where he worked in the Digital Products department, and then DC Comics, where he worked in publishing and content strategy. He then worked at Warner Bros. and Screen Rant.
Jason currently resides in Seattle but has yet to appear in a Cameron Crowe movie. He loves hot coffee with cream and sugar, video games, bread, napping, and movies (duh), but not necessarily in that order. His favorite movies are The Thing, All About Eve, The Ice Storm, Rear Window, Heat, The Cranes are Flying, Belle de Jour, Showgirls, and Clue. He thinks Mad Men is genius, still watches Seinfeld twice a week, and likes listening to shoegaze music, podcasts, and Lana Del Rey. If you see him on the street, please, for the love of God, do not engage in conversation with him.
Some of the best shots in Grok Imagine’s AI-made Odyssey don’t contain actors. Ancient landscapes stretch into the distance. Close-ups of grimy hands suggest people who have touched something rougher than a keyboard. For a few seconds, the illusion holds.
https://twitter.com/imagine/status/2113712964419063911
YouTube videos could soon look better without eating quite so much data, right? Thankfully, the platform plans to introduce a new video format called AV2 on its web player in early 2027, promising more efficient streaming and potentially fewer playback hiccups on slower internet connections. The big headline is a roughly 30% improvement in compression efficiency over AV1, YouTube's existing video format. That doesn't guarantee every video will use 30% less data, but it could make streaming a little easier on both internet connections and data allowances.
What is AV2, and why should viewers care?
YouTube is changing how its Home page works, giving viewers more control over what shows up there and making some of the app’s most-used sections easier to reach. Custom Feeds are now replacing the existing topic chips for eligible users, while YouTube is also testing a redesigned top bar on mobile that moves Subscriptions closer to the Home feed.
YouTube first started experimenting with Custom Feeds earlier this year, letting you type out what you wanted to watch and turning that request into its own stream of recommendations. Now, the feature is starting to look less like a side experiment and more like something YouTube actually wants people to use as part of their everyday Home page.