Article Image

ESPN shut downs Bill Simmons passion project Grantland

If you're the type that likes to read in-depth about every aspect of your favorite team or sport, today is a sad day for you. ESPN has shut down Grantland, its long-form sports journalism site -- and there's nothing like it on the horizon

Several ESPN personalities are fond of reminding us that “fan is short for fanatic” and the network was created to cater to those who eat, sleep, and breathe sports, sports, and more sports. Whether pre-game, post-game, in-game, the week before, the day of, or the morning after, the network sought to deliver what these crazies craved.

But when it started hemorrhaging subscribers, the “worldwide leader” in sports broadcasting sought to broaden its audience, and began to morph from a sports giant with a smattering of pop culture, into an unsatisfying amalgam that was equal parts ESPN and E!. It also began to embrace more volatile and pugnacious personalities like Skip Bayless and Stephen A. Smith, who are capable of delivering red-faced rants on cue and attract those seeking spectacle instead of sports.

In such a climate, it was always going to be difficult for a website like Grantland to survive, and few in the industry were surprised when, on Friday, ESPN announced that it would be shuttering the site, effective immediately.

A passion project of the recently-departed Bill Simmons, Grantland was a bastion of intelligent, long-form sports journalism that offered incisive analysis, in-depth player profiles, and relevant social commentary. It was also, however, a prestige brand and an entity that wasn’t turning a profit for its parent.

Some (including its founder) blame network neglect for the closure, but with parent Disney forcing ESPN to cut $100 million from its 2016 budget and $250 million from its 2017 budget, profits are now paramount and loss-leaders more difficult to justify.

As you might expect, Simmons weighed in via twitter yesterday, and as you also might expect, he had some pretty strong words for his former employer.

I loved everyone I worked with at G and loved what we built. Watching good/kind/talented people get treated so callously = simply appalling.

— Bill Simmons (@BillSimmons) October 30, 2015

Before leaving ESPN, The Sports Guy had some highly publicized run-ins with network brass, and now that he is out from under its umbrella, any reservations he might have felt about criticizing his former employer went out the window.

As he indicated earlier this month on his podcast, Simmons believes that, at best, ESPN was indifferent to Grantland, and at worst, sabotaged it outright.

“I just think it is weird to work at a place that is trying to make you look bad,” Simmons said back on Oct. 2. “Usually places try not to make some of their best talent look bad. It’s usually not something a company does. So there was bad blood.”

Given Simmons’ public rift with ESPN, and ESPN’s change in course, it’s certainly not shocking that Grantland was left to die on the vine, but it’s still a sad day for fans of sports and journalism alike.

If you’re still interested in following the man behind the now-defunct site, you can check out The Bill Simmons Podcast for free here.

China just gave Hollywood a cautionary tale about AI filmmaking. Sanxingdui: Future Past, billed as the country's first fully AI-generated movie, hit theaters on October 23 and bombed at the box office.

According to Futurism, the film's reported $1.5 million production budget landed on more than 10,000 screens. Yet it pulled in only about $181,000, averaging roughly $20 per screen, making the budget difficult to recover.

Some of the best shots in Grok Imagine’s AI-made Odyssey don’t contain actors. Ancient landscapes stretch into the distance. Close-ups of grimy hands suggest people who have touched something rougher than a keyboard. For a few seconds, the illusion holds.

https://twitter.com/imagine/status/2113712964419063911

YouTube videos could soon look better without eating quite so much data, right? Thankfully, the platform plans to introduce a new video format called AV2 on its web player in early 2027, promising more efficient streaming and potentially fewer playback hiccups on slower internet connections. The big headline is a roughly 30% improvement in compression efficiency over AV1, YouTube's existing video format. That doesn't guarantee every video will use 30% less data, but it could make streaming a little easier on both internet connections and data allowances.

What is AV2, and why should viewers care?